Jonas Brandt
Photographer & film director
Films and photographs made in the last light of the day — where colour turns honest and faces stop performing.
A fisherman’s widow returns to the coast she swore off, and learns the tide keeps a longer memory than she does. Shot over three winters on the North Sea — entirely in available light.
I work in the near-dark — the last hour before nightfall, the first before dawn. That is where colour turns honest and a face forgets it is being watched.
Over twelve years I have moved between long-form documentary, narrative shorts and commissioned film, always circling the same question: what does a single frame remember? I shoot on film when the story asks for patience, and I light with whatever the room already has.
Recognition
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Available for select commissions, Q3–Q4 2026. Features and long-form considered by treatment.