Zines
Saddle-stitched or folded, 8 to 48 pages. Perfect-bound on request. We handle imposition, so you just send spreads.
A two-ink Risograph studio where fluorescent pink meets bright blue — and overprints into a third colour nobody can quite name. Grain, texture and the odd happy misregistration, included at no charge.
Short runs, spot colours, real paper. Everything below is printed in-house on our Risograph — no digital shortcuts, no CMYK compromise.
Saddle-stitched or folded, 8 to 48 pages. Perfect-bound on request. We handle imposition, so you just send spreads.
Big, loud, built to be flyposted. Two or three layers with deliberate overprint where the inks stack up dark.
Signed, numbered editions on heavy stock. Each pull is a little different — that's the point of the process.
A Risograph prints one colour at a time. Your artwork is split into separate plates — one per ink — then run through twice. Where they overlap, they multiply into something new.
We split your file into two spot channels — pink and blue — and add a touch of trap.
Each channel burns its own master onto the drum. One drum per ink, swapped by hand.
Sheet runs once, dries, runs again. Speed and pressure tuned per stock.
We nudge the plates within a millimetre. Not to zero — a hair of drift keeps it alive.
A selection from the last two years. Editions ranged from 40 to 300 — all two-colour, all with their own registration quirks.
Send the shape of the project and we'll come back within two working days with a price, a paper suggestion, and a proof date. Run by Camille Roux & Théo Fabre.